Over the summer the Pants come to represent the support of the sisterhood, but
they also lead each girl into bruising and ultimately healing confrontations with love and courage, dying and forgiveness.
Lena finds her identity in Greece and the courage not to reject love; Bridget gets in over her head with an older camp coach;
Carmen finds her father ensconced with a new fiancée and family; and Tibby unwillingly takes on a filmmaking apprentice who
is dying of leukemia. Each girl's story is distinct and engrossing, told in a brightly contemporary style. Like the Pants,
the reader bounces back and forth among the four unfolding adventures, and the melange is spiced with letters and witty quotes.
Ann Brashares has here created four captivating characters and seamlessly interwoven their stories for a young adult novel
that is fresh and absorbing. The Second Summer of the Sisterhood Teens who loved Ann Brashares's The Sisterhood of the Traveling Pants (2001) will cheer its equally riveting sequel The Second Summer of the Sisterhood.
As in the first novel, four teen girls who have known each other since birth (their moms shared a pregnancy aerobics class)
further forge their bond of friendship through a pair of thrift-store jeans that magically, impossibly, fits them all perfectly.
Like the summer before, Carmen, Bridget, Tibby, and Lena share their individual
adventures with the Pants collective, creating an engaging, kaleidoscopic narrative of four voices. This summer, Tibby attends
a film program in Virginia and Bridget (Bee), whose mother has died, impulsively jets off to Alabama to get reacquainted with
her estranged grandmother. Lovely Lena tries to protect herself from the heartbreak of loving her long-distance Greek god
boyfriend Kostos, and Carmen deals (poorly) with her mother dating again and having the nerve to borrow the Pants!
The Second Summer, while breezy and fun to read, deals seriously with love
lost and found, death, and finding the courage to live honestly. The teens' lessons are often painful, but the Sisterhood
prevails. Quotations from luminaries such as Charlie Brown ("Nothing takes the taste out of peanut butter quite like unrequited
love") to Nelson Mandela ("There is nothing like returning to a place that remains unchanged to find the ways in which you
yourself have altered") open each chapter and cleverly reflect the novel's many moods. Born Blue by Han Nolan Born Blue chronicles Janie/Leshayas growth from childhood to young adulthood.
Leshayas life is characterized by abandonment, anger, deceit, and irresponsibility. Leshaya, like her mother, sees the world
through self-centered eyes. Her thoughts are cynical, always attributing the worst to every one she meets. Leshaya rationalizes
using the people in her life for shelter, food, drugs, sex. Eventually Leshaya has a baby who she abandons, just like her
mother abandons her. Leshaya leaves the baby with Harmons kind adoptive family who Leshaya subtlety convinces that Harmon
is the father, even though Harmon and Leshaya never have sex. Yet, there is one honest act that Leshaya performs throughout
the book. She sings. She sings beautifully. She is a blues singer and she does manage to achieve some success singing since
she is so naturally talented. Her ambition is to be one of the great blues singers and she makes some strides, often thwarted
by her inability to trust and to commit, and thwarted by her dishonesty and selfish outlook. Bottled Up by Jaye Murray Grade 7 Up-Sixteen-year-old Phillip (Pip) is a pot-smoking,
alcohol-swigging, smart-mouthed troublemaker who resents being responsible for his six-year-old brother. Pip forgets to pick
Mikey up, swears at him, threatens him, and wishes he'd go away. But he is still a better caregiver than their violent, alcoholic
father or vacant, pill-popping mom. Pip is angry and withdrawn, but terrified enough when his caring principal threatens to
call his dad that he agrees to attend his classes and get counseling. His growing awareness of Mikey's loss of innocence culminates
in a "This is me" epiphany during group counseling. There is little subtlety here. Rather, the messages are stated explicitly
and repeatedly. Italicized statements break into the first-person narrative, revealing a more honest, introspective voice
than the protagonist shows the world. The principal regularly checks up on Pip's progress, functioning as a sort of Greek
chorus. Allusions to Superman and kryptonite are less clearly linked to the plot than Mikey's withering barrage of questions
about M&M's (hard shell, soft inside). Pip's reading of Dr. Jekyll & Mr. Hyde for English class provides obvious parallels
to his own and his father's hideously inconsistent and monstrous behavior. Subplots are peripheral, the setting is unstated/universal,
and the family violence and drug/alcohol use will strike chords of recognition with many readers. Characterization is thin
to nonexistent, but Pip's inner rage and desperation are poignantly portrayed and should provide some hope to teens facing
addicted parents.